In 2009, Hideyoshi Sawajiri, the "first beauty in Asia", stipulated in her prenuptial agreement that she could only live as a husband and wife five times a month, and the excess would be charged a high fee per time.
Her marriage target is High City, who is older than her twenty-year-old culture man, in fact is also a little famous in Japan.
The two seem to be different, but in fact, at some level, they are quite aligned.The problem is that such a marriage model is unlikely to last long.
Just one year later, their relationship broke down, and the divorce dispute lasted for many years. During this period, all kinds of details about the prenuptial agreement surfaced one after another, so that the public could get a glimpse of the unknown side of this marriage.
That agreement was thorough, not only the number of sex lives, but also covered many fine terms. property distribution, media response, etc. matters are involved, really did nothing big, careful consideration.
In other words, Hideyōka Sawajiri had foreseen and prepared to deal with possible problems before he got married. Although this practice is calm and even "utilitarian", it is actually very practical in the profession of star.
When many people first hear about this, they will subconsciously think that it is "doing" or "melodramatic", but when you think about it carefully, this practice is actually more like a rational response.
Marriage is a contractual act between two people, but most people choose emotions first and put rules behind. But for stars, marriage is not only a matter for two people, but also related to public opinion, image, interests and even laws.
Under high exposure, if you don't set boundaries in advance, it's easy to fall into passivity when problems arise after marriage. Sawajiri Hideyoshi chose to make these things clear at the beginning. Although it would seem calm or even inhuman, it may not be a mature approach in the long run.
Moreover, the topic of sex was very sensitive in Japan, and the public discussion often carried with strong emotions.So she could so frankly write it into the agreement itself, and it was also a challenge to the tradition.
Sawajiri Hideyonghua used the contract to clarify his physical autonomy, which was a very rare practice at that time. Instead of saying "I will never accept it", she clearly set the frequency and conditions, which is actually very rational.
She did not reject an intimate relationship, but only turned it into a regular negotiation mechanism. Though this way seems somewhat "commercial", it is also exactly what indicates that she has no romantic fantasies about marriage, but faces it with an attitude that an adult deserves.
This attitude may seem easier to understand today, but in 2009, it was absolutely avant-garde or even “excellent.”
Since then, Zhejiang’s life has not been smooth.She was arrested in 2019 on suspicion of violating drug-related laws, her image has been severely damaged, and her acting career has also fallen into stagnation.
But surprisingly, even in the most difficult moments, she did not deny those choices of the past.In interviews with the media, she repeatedly stressed that she did not regret the marriage agreement of the year, believing that it was the way she was responsible for herself.
From this perspective, Sawajiri Hideyoshi is not a perfect public figure, but she is always a woman who consciously controls her own destiny.
Her experience is probably not a template that everyone is willing to replicate, but her attitude is worthy of reflection: Can women in marriage, like her, take back their own initiative instead of passively accepting traditional arrangements?
Looking back at this event, it was not her setting of sex frequency that raised controversy, but she opened the issue and institutionalized it. This challenged the "sacred sense" of marriage and also challenged the public's stereotype of women's roles.
Her marriage target is High City, who is older than her twenty-year-old culture man, in fact is also a little famous in Japan.
The two seem to be different, but in fact, at some level, they are quite aligned.The problem is that such a marriage model is unlikely to last long.
Just one year later, their relationship broke down, and the divorce dispute lasted for many years. During this period, all kinds of details about the prenuptial agreement surfaced one after another, so that the public could get a glimpse of the unknown side of this marriage.
That agreement was thorough, not only the number of sex lives, but also covered many fine terms. property distribution, media response, etc. matters are involved, really did nothing big, careful consideration.
In other words, Hideyōka Sawajiri had foreseen and prepared to deal with possible problems before he got married. Although this practice is calm and even "utilitarian", it is actually very practical in the profession of star.
When many people first hear about this, they will subconsciously think that it is "doing" or "melodramatic", but when you think about it carefully, this practice is actually more like a rational response.
Marriage is a contractual act between two people, but most people choose emotions first and put rules behind. But for stars, marriage is not only a matter for two people, but also related to public opinion, image, interests and even laws.
Under high exposure, if you don't set boundaries in advance, it's easy to fall into passivity when problems arise after marriage. Sawajiri Hideyoshi chose to make these things clear at the beginning. Although it would seem calm or even inhuman, it may not be a mature approach in the long run.
Moreover, the topic of sex was very sensitive in Japan, and the public discussion often carried with strong emotions.So she could so frankly write it into the agreement itself, and it was also a challenge to the tradition.
Sawajiri Hideyonghua used the contract to clarify his physical autonomy, which was a very rare practice at that time. Instead of saying "I will never accept it", she clearly set the frequency and conditions, which is actually very rational.
She did not reject an intimate relationship, but only turned it into a regular negotiation mechanism. Though this way seems somewhat "commercial", it is also exactly what indicates that she has no romantic fantasies about marriage, but faces it with an attitude that an adult deserves.
This attitude may seem easier to understand today, but in 2009, it was absolutely avant-garde or even “excellent.”
Since then, Zhejiang’s life has not been smooth.She was arrested in 2019 on suspicion of violating drug-related laws, her image has been severely damaged, and her acting career has also fallen into stagnation.
But surprisingly, even in the most difficult moments, she did not deny those choices of the past.In interviews with the media, she repeatedly stressed that she did not regret the marriage agreement of the year, believing that it was the way she was responsible for herself.
From this perspective, Sawajiri Hideyoshi is not a perfect public figure, but she is always a woman who consciously controls her own destiny.
Her experience is probably not a template that everyone is willing to replicate, but her attitude is worthy of reflection: Can women in marriage, like her, take back their own initiative instead of passively accepting traditional arrangements?
Looking back at this event, it was not her setting of sex frequency that raised controversy, but she opened the issue and institutionalized it. This challenged the "sacred sense" of marriage and also challenged the public's stereotype of women's roles.