The painter Bert Moriso.

Moriso was born in 1841 in Brandeis, France, in a well-respected family of officers, and died in Paris, France in 1895. his grandfather was a famous painter, Vragonell, his father was a senior officer. She loved painting with her sister from childhood, widely receiving the guidance of painters, in which Coro was greatly influenced by her (1862-1868, she studied painting under the guidance of Coro), and received the advice of Coro, the teacher of nature. In 1860, Moriso met Manet, after marrying his brother. She came closely with Manet and influenced each other, and Manet focused on the study of light under its influence.

Morrison initially followed the academy by the painter Gishar, and later taught from Camille Collot.

At the age of 19, he met the painter Edward Manet. Manet appreciated Moriso's noble and elegant temperament, and since then Moriso's image has been repeatedly featured in Manet's works. Morissette has also been deeply influenced by Manet's artistic views, becoming an impressionist painter. Her work is mostly based on family life, fluid, emotional. In France, the famous beauty painter Marie Cassette, her creative theme is close to Morissette. Casette chose art as a profession, not only to fight with opponents in the family, but also to face social prejudice and disregard. When she eventually became famous, she cried: "After all, women in life are still children. "

At the beginning of 1860, Corot encouraged Morisot to go to the museum to copy masterpieces and paint landscapes. Her work was admitted to the official exhibition in 1864. However, if Edouard Manet hadn't been recognized at the Louvre, she might have become an academic painter. She later became a model for Manet's masterpieces such as On the Balcony (1868, Museum of Orsay) and Berthe Morisot with Violets (1872, Museum of Orsay). Manet helped her develop her personal artistic characteristics, and sometimes even personally revised her paintings. In 1874, Morisot married Manet's younger brother Eugène. Through Manet's introduction, she later got to know Bazier, Monet and Renoir. Under their guidance, she mastered the essentials of painting outdoors, and gave up the salon exhibition to participate in their first group exhibition.

Among the impressionists, one of Manet's closest members was Berthe Morisot. In 1868, the two quickly became friends when they first met. Morrisot has modeled Manet more often than all other women. But in 1874, after Morisot married Manet's younger brother Eugene, he never acted as a model for Manet again.

In 1874, a group of young painters organized their own painting exhibition in Paris to challenge the official showroom. Painters including Monet, Renault, Bismarck, Cisnery, Degas, César et Morisseau, etc. not only had different characters and talents, but to some extent also had different ideas and tendencies, but they were born in the same era, had the same experiences, and fought against the same opposition. They were delighted to accept some of the magazine's ironic articles writers to label them with a ridiculous taste of the title "impression".

In addition to landscape painting, Moriso is passionate about portraits and indoor landscapes. At the Impressionist exhibition of 1874, she exhibited a painting of her sister and niece, The Cage (1874), which embodies the gentleness of humanity and has earned her little praise from critics.

Moriso was an impressive old painter, taught by Coro and later taught by Manet, and later married to Manet's brother and became part of their family. As an impressive painter, she also had a great influence on Manet. This portrait was very elegant, in a white dress, Moriso leaned onto the couch, with a heartless posture, focused emotion, and deep wisdom. The white long dress painted brightly, as sacred as the painter, shining brightly under a layer of dark red background, touching a pen with passion, flying on the picture, making the static characters feel animated.

Moriso's painting "Young Maid" is a sun-filled interior painting, where the maid and daily life are arranged, the characters and environments occupy their respective positions under the sun. This in the eyes of the painter, there is no fundamental difference between them, it is only a medium to transmit light, presenting different colors. So the painter is not focused on painting the inner spirit and personality characteristics of the maid. The painter uses a passionate touch of pen, moves rapidly on the picture, wants to grab the passing sunlight in the moment, and make this impression forever on the canvas.