tan yankai

He once served as governor of Guangdong and Guangxi, served three times as governor of Hunan, governor and commander-in-chief of Hunan Army, and was awarded the rank of general and grand marshal of the army. He served as Chairman of the Nanjing National Government and President of the Executive Yuan. On September 22, 1930, he died of illness in Nanjing. After his death, the government of the Republic of China held a state funeral for him. It is known as the "modern beauty book master." His writings include "Zu 'an Poetry Collection". Chiang Kai-shek and Song Meiling got married, and Tan Yankai was the introducer.

Tan Yankai (1880 - 1930), also known as Zuan, was born in Chaling County, Hunan Province. He was born in Hangzhou, Zhejiang Province. Chairman of the National Government of China and the first President of the Executive Yuan.

His father Tan Zhonglin. According to the "Index to the Records of Jinshi Steles in the Ming and Qing Dynasties" compiled by Zhu Baojiong and others, Tan Zhonglin won the 10th Jinshi in the second class of Bingchen in the sixth year of Xianfeng (1856); according to the seventh volume of "Ci Lin Ji Lue" compiled by Zhu Ruzhen, Tan Zhonglin, also known as Yun Jin, was from Chaling, Hunan. The office is awarded editorial revision. He served as governor of Guangdong and Guangxi, and was posthumously named Wenqin. Tan Yankai was intelligent and studious, and entered a private school at the age of five. His father stipulated that he should write an article in three days, write a poem in five days, and practice writing a few pages of large and small calligraphy. At the age of 11, he studied Yi literature, and Weng Tonghe, Emperor Guangxu's master, called it a "genius." In 1893, Tan Yankai went to Changsha to participate in the boy's test and passed the scholar's test. Tan Yankai was already elderly at that time. While accompanying his father in his later years, Tan Yankai continued to study contemporary literature from famous teachers from all over the country. In 1904, Tan Yankai participated in the last imperial examination in the late Qing Dynasty. He won the first tribute scholar in the middle examination, namely Huiyuan. In April, he participated in the palace examination and was listed as the thirty-fifth place in the second class. He was given a Jinshi background.

Yan Kai inherited his family's education when he was a child and was talented. When he was a young man, he was very powerful. Weng Tonghe saw him and loved him. He once said to Tan Fu: "The third Linglang is a great weapon, and his pen power is probably enough to carry a tripod. "Later, it turned out as it was said. He entered the government school in the 18th year of Guangxu (1892), was a scholar in the 28th year of Guangxu (1902), and was a scholar in the 30th year of Jinshi. He entered the Hanlin Academy, was a spin-off teacher, and returned to Hunan to run a school. In her later years, Empress Dowager Cixi personally presided over the reform, known as the so-called "Ding Wei New Deal." Yan Kai actively echoed it. He was the leader of the Hunan Constitutionalist Party and served as the speaker of the provincial "Consultative Bureau."

After the Wuchang Uprising in 1911, he served as Speaker of the Senate and Minister of Civil Affairs of the Hunan Military Government. At the end of October, after the Constitutionalists killed the Commander-in-Chief Jiao Dafeng and Chen Zuoxin, they were elected as Commander-in-Chief of Hunan Province by the Consultative Bureau. In July 1912, he was officially appointed by the Beijing government as Governor of Hunan. In September, he served as Minister of Civil Affairs of Hunan Province. He joined the Kuomintang and served as Chairman of the Hunan Branch. In 1913, he participated in the Second Revolution, declared Hunan's independence, and published a "Campaign against Yuan" in the Changsha Daily, so Yuan Shikai was removed from his post as governor. After leaving his job, he took refuge in Qingdao and Shanghai. In 1915, Yuan proclaimed himself emperor and Yan Kai participated in the movement to protect the country. After August 1916, he was reinstated as governor and governor of Hunan and president of Hunan Senate. During the War to Protect the Nation, in order to exclude warlords from other provinces from controlling Hunan, he put forward the slogan of "Return Hunan affairs to Hunan people." After Yuan's death, he served as governor, governor and governor of Hunan. In November 1920, he was expelled by Zhao Hengti and went to Shanghai. In 1922, he defected to Sun Yat-sen, joined the Kuomintang of China again, and in June he was appointed commander-in-chief of the entire Hunan army to suppress the rebels. After 1923, he served as Minister of the Interior, Minister of Construction, Governor of Hunan Province and Commander-in-Chief of the Hunan Army at the headquarters of the Grand Marshal Office of the Guangzhou Army. In January 1924, he was elected as a member of the first Central Executive Committee of the Kuomintang, a member of the Central Political Committee and Secretary-General of the Camp. In July 1925, he served as a member, standing committee member, member and member of the Military Commission of Guangzhou, and commander of the Second Army of the National Revolutionary Army. In September, he acted as Minister of Military Affairs of Guangzhou National Government. In January 1926, he was elected as a member of the Second Central Executive Committee of the Kuomintang, acted as chairman of the Guangzhou National Government in March, and served as chairman of the Central Political Committee in April. In July, he acted as chairman of the Central Committee of the Kuomintang Party. After March 1927, he served as member of the Standing Committee of the Kuomintang Central Committee, member of the Presidium of the Central Political Council, member of the Presidium of the Military Commission, member of the National Government, member of the Standing Committee, and member of the Wartime Economic Committee of the Wuhan National Government. In September, the three parties of Ning, Han and Shanghai established the Special Committee of the Kuomintang Central Committee in Shanghai and served as chairman of the conference. In February 1928, he served as Chairman of the Nanjing National Government, and in October, he was transferred to President of the Executive Yuan. He also served as a member of the Capital Construction Committee, a member and chairman of the Finance Committee, a member of the Kuomintang Central Committee, and a member of the Premier Cemetery Management Committee. He died of illness in Nanjing on September 22, 1930.

Tan Yankai, Chen Sanli and Tan Sitong were called the "Three Young Masters of Huxiang" at that time and were awarded the title of editing by Hanlin. Among the four major calligraphers of the Republic of China, there were once four major calligraphers of the Republic of China called the true grass and seal characters. They were Tan Yankai's true grass, Yu Youren's grass, Wu Zhihui's seal characters and Hu Hanmin's Li. It is known as "South Tan and North Yu". These four people are all veteran figures of the Kuomintang and top literati active in politics.

Tan Yankai's daughter Tan Xiang married Chen Cheng, a Kuomintang member.

Tan Yankai's calligraphy is also like his person. His regular script points are like falling stones, his paintings are like summer clouds, his hooks are like bent gold, and his swords are like crossbows. Vertical paintings mostly use hanging stitches. The strokes are calm and steady when they start, and the strokes are powerful, making people feel that their appearance is rich and strong, and their flavor is rich and hidden. To wash away the charming demeanor of the calligraphy world in the early Qing Dynasty, what is lacking is less of your own appearance. His skills in running calligraphy are profound, his changes are nimble, and his pen is centered. The sharp edge of his pen can hide the sharp edge and strength on the paper. He has a majestic momentum. Although he was a Jinshi in the former Qing Dynasty, his calligraphy has no soft and charming atmosphere. He was another person who wrote Yan style after Qian Feng in the Qing Dynasty. It has been praised as "since the Republic of China, no one has learned beauty."

Tan's calligraphy style has changed several times. When he was young, he learned Zhao Songxue and Liu Shi 'an. He then learned from Duke Lu's Xingjie Letters. He also learned Dongwu (Yang Zhao) and Songchan (Weng Tonghe). At the age of 30, he studied Yan calligraphy. He used Qian Nanyuan's writing method and took "Magu Xian Tan Ji" as a daily lesson. He gained 220 passes in his life. In April 1929, Tan was recuperating in Shanghai, during which time he received 203 cases. The "Magu Xian Tan Ji", which Tan's family lives, is full of strength and vigorous, similar to Qian Nanyuan. The strokes are thicker and more powerful than Qian's, and the straight and straight spirit is surging on the paper. Its structure is solemn and exquisite, like a sage's upright waist arched in a temple. It deeply embodies its essence and is admirable. He wrote his face characters advocating "the top does not let the bottom" and "the left does not let the right." In addition to learning from Lu Gong's books, Tan's family spread out hundreds of schools, including seal script. After the age of 40, he lived in Guangzhou and learned everything from ancient Buddhist scriptures. It is extremely strange that life and calligraphy have changed greatly at this point. In 1926, Tan Yankai once used Xingjie to recite ancient inscriptions such as Huangshangou, Su Dongpo, Mi Xiangyang, Zhao Songxue, Wenhengshan, Zhuzhishan, and Dong Qichang. Tan's writing is fast, and his writing skills are unmatched by others.

Since Yan Zhenqing's regular script was criticized by Minong Palace, it has not been very valued. There was no one in the Song, Yuan and Ming dynasties who was good at writing Yan style. The early Qing Dynasty was basically the world of Dong Qichang's calligraphy. It was not until the emergence of Liu Shi 'an (Liu Yong) in the middle of the Qing Dynasty and later Qian Feng, He Shaoji, Weng Tonghe and others that Yan Shu was revived. However, most calligraphers in the Qing Dynasty still wrote Xingcao script, and they were also quite good at seal script, but regular script was rare. Qian Feng was a famous artist for a time. He learned Yan characters with his magical interest and his atmosphere was calm. However, when horizontal and vertical places, the board is hard, which is not as clever as the Duke of Lu. Even so, in his contemporaries and later generations, Qian Feng was rare in the field of regular script. Regular script can show real kung fu. Draw it every bit. If there is a slight deviation, you will know at a glance. Tan Yankai is especially famous all over the world for his facial style and regular script. It can be said that Tan Yankai has basically spent his life criticizing Yan Shu. Tan Yankai is good at poetry couplets, and the list books and small letters are extremely exquisite. Calligraphy works have both artistic and cultural relics values, and most of the domestic folk collections are concentrated in Hunan.

On the huge stone tablet in the stele pavilion halfway up the mountain of Sun Yat-sen Mausoleum, there are two huge lines of gold characters "China Kuomintang Buries Prime Minister Sun here", which are Tan's calligraphy.

When Tan Yankai was young, his calligraphy was appreciated by Weng Tonghe. Weng Zai said in a letter to Tan's father: "The third son is a great weapon! The power of the pen is almost enough to carry a tripod. Whenever Mr. Yu Youren commented on the calligraphy of people of his time, he would say: "Tan Zuan has real skills. "Ma Zonghuo commented on his book: " Zu 'an imitated Liu Shi' an in his early years. In his middle age, he specialized in Qian Nanyuan and Weng Songchan. In his late years, he studied Minangong Palace. He has strong bones and can be said to be a strong pen. "His running script fuses Liu Shi 'an and Qian Nanyuan into one furnace. Its stippling paintings are plump, round, and leisurely, like a stone temple, but they are murky and vigorous, their body is broad and sparse, and their momentum is impressive and they are like a south garden. Tan Yankai was born in a Jinshi and entered the Hanlin Academy. He has a high academic background. He can cleverly absorb nutrients from his predecessors 'books, thus forming his own magnanimity, spirituality, and grandeur. This means that all learning cannot be achieved.

At the end of the year, Tan Yankai devoted himself to Zhang Cao, visiting old stone carvings, wanting to enrich the changes in calligraphy, and striving to find the expression language of his own calligraphy. Unfortunately, in the year of Tianyuan, Tan died of illness at the age of 51. Although Tan Yankai has not yet reached a state where people and books are all old, his laws and laws are still in existence and are followed by future scholars of books. Tan once wrote "Yan 'an Poetry Manuscripts","Zu' an Poetry Collections","Fei Weng Poetry Manuscripts", and "Ci Wei Shi Poetry Grass", all of which were photocopied. Those who get it can read its poems and appreciate its books. It is published and published "China Historical Calligraphy Style Series¡¤Tan Yankai's Calligraphy Style" and can be regarded as a great person.