83 years ago today, on October 13, 1942 (September 4, 1942 lunar calendar), Master Hongyi passed away. Master Hongyi passed away on October 13, 1942. After the Mid-Autumn Festival, Master Hongyi felt that his illness was serious, and the second verse of the handwritten script bid farewell to his friends. The verse said: "The friendship of a gentleman is as light as water. Hold on to the image and ask for it, and it is a thousand miles away. Ask Yu Heshi, and Gore dies. The flower branches are full of spring, and the moon is full in the sky." On October 13 (the fourth day of the ninth lunar month), Master Hongyi passed away in the evening sunny room of Wenling Nursing Home in Quanzhou. When he was dying, the four characters of the book "The intersection of sorrow and joy" were written as a final stroke. Since he became a monk in July 1918, Li Shutong has lived under the French name "Hongyi". He vowed to carry forward the study of the law. Among the many sects of Buddhism, the Law Sect is the most important practice. Hongyi practiced it himself, and he kept the precepts very strictly. He only ate breakfast and lunch every day, and did not eat after noon. There were no more than three pieces of clothing, and the same is true in cold winter. He left a hundred clothes, with 224 puddings, all of which he made up by himself. Ma Yifu once held Shiyun: "The ascetic Duda is heavy, and the legacy is art. I know that my mind is a Buddha, and I always take precepts as my teacher." He wrote "The Symbols of the Four-Ruli Bhikkhu Precepts", "A Brief Review of Nanshan Ruli at Home", and founded "Nanshan Ruli College". In the twenty-fifth year of Sengla, his whereabouts were like floating clouds, covering Zhejiang, Fujian, Shanghai and Qingdao. He fell ill three times, and his life and death were put aside. He still took a breath, and the wind and rain were as good as ever. In admiration for this, Xia Zhuzun, Feng Zikai and other disciples performed the ceremony and protected the law for life. Venerable Hongyi is the eleventh generation of patriarchs who revived Nanshan Laozong. He was extremely indignant at the Japanese invasion of China and said: "What we eat is the millet of China, and what we drink is the water of Wenling. As the son of Buddha, we cannot help the country together at this time. It is better than a dog!" He once wrote the words "Remembering the Buddha and not forgetting to save the country, and not forgetting to remember the Buddha when saving the country", and adding the words: "The Buddha is aware. Aware of the truth, he can swear to sacrifice his life, sacrifice everything, be brave and diligent, and save the country. Therefore, to save the country, he must recite Buddhism. "Li Shutong (1880-1942) Chinese modern painter, calligrapher, musician, and dramatist. Name Wentao, alias Guanghou and Shutong. After becoming a monk, his French name was Shanyin, and his name was Hongyi. Born in Tianjin on October 23, 1880, and died in Quanzhou City, Fujian Province on October 13, 1942. Originally from Pinghu, Zhejiang Province, he moved to Tianjin from his ancestors. His father, Li Xiaolou (small building), Daoguang Jiachen (1884), was a scholar in the official department. He used to be a salt merchant, and later engaged in banking. His mother's surname was Wang, who was a side room of Li Xiaolou and could write poetry. Uncle Li lost his father at the age of 5 and grew up under his mother's care. In 1901, Nanyang Public School was trained by Cai Yuanpei. In 1905, he traveled to Japan to study abroad, studied oil painting at the Tokyo Art School, and studied music at the same time. He founded the "Chunliu Drama Club" with Zeng Xiaogu, Ouyang Yuqian, Xie Hangbai and others who stayed in Japan. He performed plays such as "La Traviata Girl", "Black Slave Call to Heaven", and "New Butterfly Dream". He was one of the founders of the Chinese Drama Movement. In 1910, Li Shutong returned to China and served as the director of the pattern department of Tianjin Beiyang Higher Industrial College. The following year, he served as a music teacher at Shanghai Chengdong Women's School. In 1912, he served as the literary editor of the "Pacific News", in charge of supplements and advertisements, and initiated the organization of the Wenmei Association with Liu Yazi, and edited the "Wenmei In October of the same year, "Pacific News" stopped publication and applied for the position of director of fine arts at two levels in Zhejiang. In teaching, he advocated sketching, began to use mannequins, and organized foreign painting research associations among students, Leshi Society, Ning Society, and advocated aesthetic education. On August 19, 1918, he shaved as a monk at Hupao Temple in Hangzhou, traveled to Wenzhou, Beishan, Putuo, New Town, Xiamen, Quanzhou, Zhangzhou and other places to teach law, and was engaged in the writing of Buddhist Nanshan law. After the outbreak of the Anti-Japanese War, he put forward the slogan "reciting Buddha does not forget to save the country, and we must recite Buddha to save the country" many times, showing strong patriotic feelings. Li Shutong is versatile, and can do everything in poetry, lyrics, plays, painting, calligraphy, and seal carving. In painting, he is good at charcoal sketches, oil paintings, watercolors, Chinese paintings, advertisements, woodcuts, etc. He is one of the pioneers of Chinese oil paintings, advertising paintings and woodcuts. His paintings were mainly created before he became a monk; after that, he made more calligraphy. Due to the war, most of the works were lost. It can be seen from the surviving "Self-Portrait", "Sketch Head", "Nude Woman", "Watercolor" and "Buddha Painting". "Self-Portrait" is estimated to have been painted before going abroad. The painting style is delicate and meticulous, and the expression description is meticulous. It is similar to the official portrait painting of the late Qing Dynasty that integrated Chinese and Western, and has a high realistic ability. "Sketch Head" is a charcoal painting, with a concise and pungent technique. "Naked Women" is influenced by his teacher Kuroda Qinghui, the shape is accurate, the color is vivid and rich, some close to impressionism, almost seemingly inadvertent, far from the crystal clear. Calligraphy is Li Shutong's lifelong hobby, and he dedicated himself to the monument when he was young. Before becoming a monk, the calligraphy was beautiful, healthy and unrestrained; after becoming a monk, it gradually changed to superfluous and light, and his works in his later years became more rigorous, clear, easy and serene. Li Shutong's seal carving art, catching up with Qin and Han Dynasties, close to learning Anhui School, Zhejiang School, Xibalingjia and Wu Xizai, etc., has a thick atmosphere, diluting the simplicity, and cutting a new path. There are "Li Lu Prints" and "Late Qing Dynasty Empty Prints Gathering". Master Hongyi's masterpiece "Intersection of Sadness and Happiness"